‘Ant-Man and The Wasp: Quantumania’ Review – Time is Fleeting
Time is a concept that’s being explored as of late in a lot of the MCU and the larger collection
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Author: Alejandro D. Orengo Colón
‘Saint Omer’ Review: Nothing Is Ever As It Seems
“Saint Omer is an exploration of perspectives.” Motherhood has always been a herculean task that is neither appreciated nor praised as
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Top 25 Films of 2022
This is the first full year we’ve had post-COVID where the movie theaters were opened and films were flocking into
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‘Avatar: The Way of Water’ Review: James Cameron’s Inexcusable Narrative
In the end, Avatar: The Way of Water Never Goes Above and Beyond It’s been 13 years and multiple technological
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‘Christopher At Sea’ Director Tom C. Brown on Bringing A Different, Gay, Perspective To Animation
“I bring a different perspective. I mean, I’m still a white man, but I’m gay.” – Tom C. Brown In
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‘Black Adam’ Review: The Hierarchy of Power Might Shift
It’s been well over a decade since Dwayne “The Rock” Johnson was cast as the villain turned anti-hero Black Adam.
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‘LIVING WITH CHUCKY’ Review: A Tender Killer Doll Family Reunion (Fantastic Fest 2022)
LIVING WITH CHUCKY explores the iconic Child’s Play franchise through a personal and social perspective The Chucky franchise has been
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‘KING ON SCREEN’ REVIEW: A Phantasmagoric Love Letter To The King (Fantastic Fest 2022)
KING ON SCREEN focuses on Stephen King’s Adapted Work for Cinema and TV! In the pantheon of living authors working
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‘Pinocchio’ Review: A Sturdy Remake with Rotten 2022 Hollywood Business Practices
Watch Pinocchio if you want to see a pretty serviceable remake, one that feels like it has a pulse, and
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‘Charcoal’ Review: A Farcical Art House Film (TIFF 2022)
Charcoal chronicles the life of this Brazilian family who, in their desperation, decide to kill their elder and replace him
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‘The Umbrella Men’ Review: A Colorful Goema-filled Heist Caper (TIFF 2022)
The Umbrella Men is not designed to be a big over-the-top American Blockbuster, and it’s not even constructed this way,
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‘FALL’ Review: A Visual Sleight-Of-Hand Vertigo Thrill Ride
In the same vein as movies about women with a specific set of skills surviving obscene circumstances in the past
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‘Prey’ Review: A Back-To-Basics Approach to a Well-Worn Franchise
Animals hunt animals, animals hunt humans, humans hunt animals, and The Predator hunts all. The Predator franchise has been a
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‘Thor: Love and Thunder’ Review: An Uneven Rom-Com That Doesn’t Fully Stick Its Landing
“These hands were once used for battle. Now they’re but humble tools for peace. I need to figure out exactly
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‘Brian and Charles’ Review: A Heartwarming Pinocchio Reinterpretation
A gentle British comedy film by director Jim Archer and writer-performer David Earl and Chris Hayward about a simply isolated
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‘LIGHTYEAR’ Review: A Light and Kid-Friendly Deep-Space Existentialist Film
First introduced to the world in 1995’s Toy Story, Lightyear tackles the narrative behind the famous Buzz Lightyear action figure
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’18 1/2′ Review: A Historical Farce With An ASMR Rich Third Act
Dan Mirvish’s latest film, 18 1/2, constructs the narrative amid Watergate as a White House transcriber and seemingly obtains the
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‘Chip ‘n Dale: Rescue Rangers’ Review: A Nostalgia, Easter-Egg, Cameo Filled Extravaganza With Something To Say
Chip ‘N Dale: Rescue Rangers has their cake and eats it too by bringing a gazillion Easter eggs and references
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‘In A New York Minute’ Review: A Compelling Yet Slightly Melodramatic Journey Of Three Chinese-American Women in NYC
In A New York Minute observes the odyssey of three Chinese-American women as they navigate the complexities of love and
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‘The Unbearable Weight of Massive Talent’ Review: The Ultimate Nick-Cagiest Film To Rule Them All
The Unbearable Weight of Massive Talent is a fantastic meta love letter to a beloved American actor. Nicolas Cage stars
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‘Reign of Chaos’ Review: A Not So Apocalyptic Apocalypse
Reign of Chaos is the most confusing and mundane post-apocalyptic world I’ve ever witnessed Left Films presents the latest film
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